Shot List

After watching the “AWESOME SCENE” carefully. Count the number of cuts, and then the number of shots. They should be different numbers. Carefully determine the number of “setups” or shots in the scene. Remember, when the camera cuts back to the same shot, it is NOT a new shot. It is a new cut. If … Read more

Persian History

Please watch the documentary on below link: https://youtu.be/0kenrpQS7qA   Typ’e below what you learned (what was new information, inspired you)  please typ’e the below assignment in minimum 300 wor’ds  (If you rather audiotape it make sure the audio file is in compliance with UDL principles and has closed captioning. The audio recording should be worth … Read more

Film aesthetic

Please answer: 1. Is it factual, instructional, persuasive, or propaganda—or a blend of two or more of these documentary approaches? 2. Consider the movie’s relationship with the spectator and with relative truth. Does it appear to be attempting to present events and ideas in as objective a manner as is cinematically possible, or does it … Read more

film analysis note7

Please use the Cornell Notes format for the assignment.   This assignment requires a more substantive analysis of the film. In addition, the Main Notes and Main Ideas sections of this assignment must engage the theories and concepts on offer in the Baldwin and DuBois readings. (state page numbers) Be sure to make a connection … Read more

Shots, Angles, and Movement Sara

Overview: High Noon is a 1952 film that takes place in close to real time, in a single place, on a single day. IMDb’s logline (n.d.) says: “ In the chapter reading, Director Fred Zinneman talks about his wanting High Noon to have a newsreel/documentary look. To do this they chose to use the elements … Read more